Let Me In
Let Me In is an alternate adaptation of John Ajvide Lindqvist’s novel Lat Den Ratte Komma In. Alternate in that it isn’t Tomas Alfredson’s adaptation of the same name. At least, that’s the party line. What it really is is a bad imitation of Alfredson’s awesome original. Where Alfredson’s movie was gripping, thrilling and moving, this is just dull. It seems as though Matt Reeves knew this and so instructed Michael Giacchino to write the most intrusive, blatant score possible. It feels like he is ramming his conductor’s baton down your throat. It is extremely painful to sit through.
You know how when you go to a party with lots of people you don’t know, there’s always one guy who is drunk and tries to tell you funny stories, but can’t get them quite right? This is as if Matt Reeves got hammered and started telling people about how great Lat Den Ratte Komma In is. LikeLat Den Ratte Komma In, this is a genuinely heartbreaking movie, but for an entirely different reason. This is heartbreaking because you can tell that the people involved love what they are doing, and they think they are doing a good job. To be fair, they aren’t doing an awful job. The actors, particularly Chloe Moretz and Elias Koteas are great; the direction is perfectly competent, if not spectacular and the story is obviously good. It’s the little things that are wrong. For example, the film starts off with a scene that should come about halfway through, and for the simple reason that it is a relatively active set-piece. The vampire scenes contain some awful CGI and turn the character of Abby, formerly Eli, into a monster rather than a girl who is a vampire. Worst of all is the score though. It is truly dreadful. I can feel this turning into a rant, so I will sign off. All I will say is that if you are tempted to see this, don’t. Go and watch Lat Den Ratte Komma In, whether you’ve seen it already or not. It’s a much better telling of the story. This is bad.